Art spanning a lifetime
From soup to nuts....

Fox Fish, 2002, mixed media

Rainbow Paper Mill, 2002, computer enhanced cyanotype
with j beaver marks on the ground

Stage One; 2002, gesso, polymer and 17-year-cycle wings

Brother Sews; 2002, mixed media on mulberry paper

Queen Anne's Two Crows: Why Don't You Leave?; 2002, mixed media, white-out 1982

Northward (Male Mail # 36), 1999, collage, U.S. Postal System

Dying Tracks, 2001, mixed media , collage

Legs Birds, 1981; powdered graphite, pencil

Sliding Blue, 2002, manually-created 35 mm transparency

White Pine, 1981; intaglio

Onion Skin, 2002, assembled transparency digitally-modified

Male Mail #44, 1999; collage, US Postal Service

Rosa Winda, 2002; tissue paper, assemblage

Seeking Bird, 1982; ink, paint, pencil

Plowers, 1978; tissue & polymer

Sunflowers, 1986; homemade bistre ink

Outside Space, 1978; charcoal

Springbird, 1982; monotype

Handbook, 2001; non- and water-soluable coloured pencils, paint, marker

Organics, 2002; digital

Handmade Ribbon Rug, 1986; pastels, soft & oil

Battle Harbour, Labrador, 2001; watercolour

Flock, 1981; collograph

Bluebird, 1982; monotype

Primarily Cows, 1982; pastels, pencils

Fat Hen, 1982; pastels, charcoal

Bread, 1979; b & w photo

White Mountains, 2001; watercolour

Crow, 1982: charcoal, conte

Wind Caught, 1982; ink, charcoal

Energy, 1982; colored pencils, pastels, crayons, conte

Soujonour, 1981; intaglio

Springhouse Hill, 1981; conte crayon, pastels, pencil

Briggs', 1977; acrylic

Blandon, 1979; pencil